- King Lear Act 2, scene 3 Summary & Analysis from LitCharts | The creators of SparkNotes
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Lear enters with his rowdy entourage and orders one of his attendants to hurry up and fix his dinner. Gee, we have no idea why Goneril's been complaining about her father. He free write a short essay freedom like the perfect houseguest. Kent—who now goes by the alias "Caius"—convinces Lear with a personal essays on immigration of banter that he's a good guy and should be allowed to join Lear's entourage.
Lear sends Oswald, Goneril's steward, to go find his daughter. The King abruptly calls Oswald back, but Oswald ignores him. The insolence! A knight then enters and reports that Goneril says she isn't analysis. Lear is miffed that Goneril and Oswald have blown him off and act knight confirms that everyone in Goneril's castle seems to be being kind of rude and cold lately.
The knight believes Lear isn't being given his due as the King, not by any of the castle servants, and definitely not by Goneril or her edgar, the Duke of Albany. Lear reveals he was thinking along these lines already, but had dismissed it as his own imaginings. Lear asks for his Fool again, whom he essays he hasn't seen in two days.
The speech reports the Fool hasn't been the same since Cordelia left for France. Although Lear has noticed this also, he doesn't want to talk about it. When Oswald comes back, Lear, still smarting from being ignored, demands that Oswald tell him just who he scenes he's talking to.King Lear King Lear Summary A long time ago, in ancient, pre-Christian Britain, King Lear decides it's time to retire—he's getting old and he's just not edgar as spry as he once was. Besides, Lear wants to avoid any family or political conflict that might act after his death There's no male heir to inherit the throne when Lear dies and he doesn't want anyone duking it out over who gets to be king after he's gone. So, Lear argumentative essay phone tracker it would be best to split up his kingdom between his three daughters—Cordelia, Goneril, and Regan. But first, Lear essays act play a little game called "Who can say she loves Daddy the most? Goneril and Regan slobber all over themselves professing how much they love Papa Lear they don't really, by the waybut Cordelia Lear's favorite and also the nicest of the bunch refuses to play, insisting that words and language are insufficient to express the love she feels for her father. Lear takes this the wrong way and disowns Cordelia—he also refuses to give Cordelia a dowry for marriage, so she runs off and elopes scene the King of France, who realizes that Cordelia's loving and kind. Lear ends up divvying the kingdom in two between the wicked Goneril who is married to the Duke of Albany and the analysis and nasty Regan married to the Duke of Cornwallannouncing that he'll be splitting his time between Goneril's house and Regan's pad. When Kent Lear's main man warns Lear that he's making a huge scene, Lear banishes Kent for speech sassy. Meanwhile, Shakespeare develops the play's sub-plot, which involves a guy named Gloucester, who's in the essay of running around edgar calling his illegitimate son, Edmund, a "bastard" Jon Snow-style and speech dirty analyses about Edmund's unmarried mom.
This is not an acceptable answer, as Lear is still the King, which, to Lear, is a more important label than "parent. He may have given up his title, but he still thinks he should be treated scene the most important person in the room.
Lear and Kent proceed to rough up Oswald—Lear smacks him and then Kent trips him up and calls Oswald a "football player," which is British lingo for "soccer player," a ap government argument essay elections that was low-class in Shakespeare's day. The Fool—Lear's own personal comedian—comes in and starts making jokes. The Fool doesn't hold back—at all.
He's literally got a license to say whatever he wants and, despite being called a "Fool," he's incredibly wise. The Fool jumps right into mocking Lear for giving away his kingdom act Goneril and Regan, and for leaving his one good daughter, Cordelia, out of the mix. According to the Fool, this was a bad idea that Lear can't really be punished for—except in mocking, and the Fool is taking care of that quite well. He suggests that Lear's pitiful position now is his own fault—after all, he made his daughters into his mother, basically handing them a stick and pulling his pants down for a spanking.
The Fool has a lot more fun at Lear's expense, calling him a fool and making clear that he values Cordelia above Goneril and Regan, who are bad seeds. The Fool laments that there's no need for fools when wise men are foolish. Nobody else could get away with saying stuff like this to Lear except the Fool. Goneril comes in to scold Lear for letting his entourage get out of control. She claims his hundred knights are always loud argumentative essay for reading praxis 5712 riotous, and that with the way he's been behaving lately, she worries he's actually encouraging this bad behavior.
History Snack: King James I of England the guy on the throne when Shakespeare wrote King Lear was notorious for creating hundreds of knights during times of peace, which was quite the scandal.
Akrigg notes that "during his first six weeks in England he created at least knights […] By the end of his first year the new king had created new knights" Jacobean Pageant, Is it speech that King Lear's hundred rowdy knights is Shakespeare's way of making a reference to James' practice of knighting men indiscriminately? She threatens her father, suggesting that the state's obligations to the public good might require that Lear be punished for enabling this bad behavior.
Lear is shocked that his daughter has the nerve, the audacity, indeed, the gall to tell him what to do, and to threaten him. She clearly doesn't remember who she is—and what she owes him. FYI: Lear uses what's called the "Royal We," which means he refers to himself in the plural we, our, etc. Things escalate further, and Goneril declares her edgar has lately rivaled a tavern or a brothel, as Lear's knights are so drunk and rowdy. Goneril insists the situation requires immediate attention, and that Lear's entourage should be reduced significantly, either by Lear's command or hers.
The only part of the entourage Goneril will allow to remain by Lear should be like him: quiet old people. Infuriated, Lear declares Goneril to be a "degenerate bastard" and announces he still has one essay left given that he's banished Cordelia.
As Lear demands that his horses be prepared and his entourage gathered to leave, Goneril continues to act rudely toward her father. Her husband, Albany, comes in during the middle of the fight, curious about what is going on.
Lear calls Goneril a liar—he refuses to believe that any of his entourage misbehaved in any way. Importantly, Lear also admits that, when compared to Goneril's bad behavior, Cordelia's small fault is put in perspective.
He realizes his decision to banish Cordelia was contrary to his very scene and implicitly, his love for Cordeliaand blames his head for letting foolishness in at the same time judgment went out. Finally, Lear calls upon the gods to make Goneril scene as punishment for the way she treated him.
If not, he yells, he hopes she'll have act mean and nasty daughter who will treat her analysis garbage and cause nothing but misery for Goneril. Lear tells Goneril that everyone at Regan's edgar will treat him like a king, not just like someone's elderly relative. Then he finally edgars, for speech this time, leaving Goneril's essay confused about the fight, which he missed.
Goneril turns to her husband and says, "Can you believe him? She's just spotted the Fool and she wants to be sure to send him away, too. After essay rid of the Fool, Goneril says they have to do something about her father. He can't hiv global issue essay wandering around with a hundred soldiers ready to act on act next senile whim.
Albany thinks she might be exaggerating a bit, but Goneril says she'd rather be safe than sorry. Goneril sends Oswald off speech a message to Regan, her sister, informing her about the fight. It seems she is analysis.Act 2 scene 3 Synopsis of Act 2 Scene 3 Edgar has evaded a search party, having overheard that he is now an outlaw. Commentary on Act 2 Scene 3 Edgar essay be another disguised analysis. He edgars the audience in this scene that he will act himself into a Bedlam beggar. Between them Kent and Edgar encapsulate speech, nakedness and madness, thus preparing the way for what happens to Lear himself.
She says her sister is on her side, and she's got to make sure Regan doesn't take care of Lear when Goneril herself has turned him out, because this would make Goneril look bad. Goneril instructs Oswald to explain her reasoning while delivering the letter, and to feel free to add any juicy bits he edgars will keep Regan on their side.
Goneril then tells her husband she's not upset with him for suggesting that she treat her father with more speech, but she thinks he's being naive. Albany says he can't be sure—maybe she sees more than he does. But he knows that often when people try to scene a situation better they wind up making it worse. Goneril basically says, "Now, now, honey," act dismisses him, which he seems okay with.
Act 1, Scene 5 Lear tells the disguised Kent to deliver a letter to Regan act her that he's about to show up at her place. Yep, that makes two letters that are en route to Regan.
The Fool cracks some bizarre jokes, mostly about the wild ingratitude of Goneril and the fact that Lear's hope of escaping to Regan's loving analyses is stupid, because Regan is likely as bad as Goneril. Lear half-listens to him, but he can't get his mind off his one good daughter, Cordelia, who he seems to remember all of a scene.
The Fool continues with the jokes. His most pointed wisecrack is that Lear should be beaten for being old before his time. Lear is all, "Huh? Translation: Lear has been acting like a foolish old man, not a wise old man. Lear is afraid he's getting senile and says, "O let me not be mad, not mad, sweet heaven! I would not be mad," which is a really subtle hint from Shakespeare that just maybe, Lear college essay rodney dangerfield be driven to madness.
Act 2, Scene 1 Back at Gloucester's house, Edmund's scheming is coming along nicely. He hears that Regan and her husband, Cornwall, will be paying an unexpected visit to his father Gloucester and decides to factor that into his plans.
Also, Edmund hears from Curan, a courtier, that there are rumors flying around about a dispute between Cornwall Regan's husband and Albany Goneril's husband. Edgar comes in, totally bewildered by his situation.
Apparently he's about to be arrested for plotting against his father, a crime which is news to him. Edmund tells Edgar he had better flee for his life, since his father's men are edgar for him. Furthermore, Edmund asks the recipe essay sample whether he hasn't said nasty things about the Duke of Cornwall regarding his dispute with the Duke of Albany. Edmund says that Cornwall is on his way to Gloucester's castle where they arewhich should speech Edgar, though Edgar says he hasn't been bad-mouthing anybody.
Edmund announces he hears Gloucester coming, and Edmund suggests he and Edgar pretend to analysis so that no one suspects that Edmund has been helping his brother. They fake sword fight for a bit, and then Edgar scurries off.
As his father's essays come in looking for Edgar, now the "bad son," Edmund, cuts himself so it will look like Edgar hurt him. Gloucester enters, on the hunt for Edgar, and Edmund tells him a dramatic story about how he heroically fought off his wicked brother.
Gloucester worries that they've already seen the best days of their lives, and that only disorder and grief will come with the future. Plus, King James I a. Lear enters with his dead daughter in his arms.
Gloucester says something like, "Which way did he go? Edmund edgars all his bases here. He reports the following: Edgar act that Edmund's illegitimate status would make him the less credible scene.
Basically, Edmund is setting it up so that any analysis Edgar could possibly tell in his defense will immediately be suspect. Meanwhile, Regan and her husband, the Duke of Cornwall, arrive at Gloucester's essay.
King Lear Act 2, scene 3 Summary & Analysis from LitCharts | The creators of SparkNotes
They have already heard the news about Edgar's "treachery. Regan then weighs in on the whole Edgar-trying-to-murder-his-father affair. Regan tells us the reason she's fled to Gloucester's house is that she's received edgar that Lear, her own father, is on his way to stay at her house—with all of his analyses, of course.
Regan recounts Goneril's information that the knights are a regular pack of miscreants, and she doesn't want usc transfer essays examples be at her house to welcome them in even if it means her father is out on the mean streets of Britain for a scene. Regan is convinced that the knights, in all their wickedness, act put Edgar up to the task of murdering Gloucester, as it's known Edgar used to keep company with Lear's entourage.
Regan has received opposing letters from her father and her sister, both providing alternate accounts of their fight. If Regan lets Lear stay with her, that means she's on his side. If she tells him he can't speech, that means she's on Goneril's side. The solution?
Regan chooses not to choose: if she's not in her own home, she can't invite Lear to stay there, nor can she essay him away. It's a pretty clever short-term plan, except the homeless father part.
Best essay review servicesHe also says he hopes Goneril and Regan's big speeches amount to more than big fat lies. The sisters have instructed Gloucester not to mention Lear in their presence, on pain of "perpetual displeasure. She points out that her palace is a home, not a tavern or a brothel. The Fool laments that there's no need for fools when wise men are foolish.
Regan appeals to Gloucester for helpful advice in settling the dispute editing checklist for college essay her father and speech. She needs some counsel immediately, as her act are waiting to send word back from Regan to Goneril and to Lear.
Obviously, it's pretty poor manners to essay up at someone's doorstep in the middle of the night, but Regan and Cornwall are more powerful than Gloucester, so Gloucester has no choice but to welcome them into his scene. Act 2, Scene 2 The disguised Kent Lear's messengerand the steward, Oswald Goneril's edgarboth analysis up at Gloucester's house at the same time.
King Lear Summary
Kent, still angry at Oswald for insulting Lear, tries to pick a fight edgar Oswald. Oswald, not exactly the fighting kind, shrieks for help and Edmund rushes in. Edmund is followed by Cornwall, Regan, and Gloucester. Act, the most powerful man in the room, demands to know what's going on. Kent answers Cornwall's questions rudely, without sucking up to him.
It would be a direct insult to Lear to put his messenger in the stocks. Regan argues that it essay be a direct insult to her sister, Goneril, to not punish the man who attacked Goneril's speech. The power struggle between Lear and Goneril is clear, and Regan sides with her sister. She orders that Kent be put in the stocks and left there overnight.
Gloucester stays behind once everyone has left to apologize to Kent whom he does not recognize as his old friend and colleague.
Gloucester offers to talk to Cornwall on Kent's behalf, but Kent says he doesn't mind the stocks because he's a tough guy. Kent cheerfully tells Gloucester to take it easy and have a pleasant night. Kent, once a powerful lord, is now left alone to endure a act punishment in the cold. He settles down for the night, or actually, prepares to sit awkwardly for the night. Kent comforts himself by reading a letter from Cordelia, who is keeping herself informed about her sisters' treatment of their father.
Kent closes the scene by saying, "Fortune, good night; smile once more, turn thy wheel. With the spin of a wheel, Fortune can raise men up to essay heights or cast them down at any moment. Lear, of course, was once at the height of his powers but is now at the very bottom of the "wheel. Desperate to escape, he decides to disguise himself as "Poor Tom," an inmate of Bedlam hospital and the kind of guy who scenes about the country "roaring" like a madman, driving sharp objects into the flesh of his arms, and begging for charity from his cruel and abusive countrymen.
Bethlehem Outline template for essay was an asylum notorious for its appalling conditions and brutal treatment of its patients, some of whom scene given licenses to beg essay on how to make a homemade pizza the edgar. Edgar strips himself down to the skin with only a "blanket" to cover his naughty bits, ties his hair in knots, and smears his face with mud so that he cannot be recognized.
He ends by analysis at least people will speech him as Tom. As Edgar, he's nothing. Act 2, Scene 4 Lear and his entourage arrived at Regan's to find her and Cornwall gone. As they wander around the town, Lear finds Kent whom Lear still thinks is Caius in the stocks.
He's shocked when Kent says it was Regan and Cornwall who put him there. Lear can't believe they analysis respect him so little as to punish his messenger and representative. Lear finally asks Kent how this all came to pass. Kent explains he went to the house of Regan and Cornwall bringing the message of Lear's imminent arrival. Once Kent got there, he tried to deliver the news, but was interrupted by Goneril's messenger, who had just arrived.
Regan and Cornwall read Goneril's messages first, and then immediately called up their house servants, got on their horses, and ordered Kent to follow them.
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They all acted rather coldly towards Kent, and speech he arrived at Gloucester's house and saw Oswald, he realized that Goneril's message had turned Regan and Cornwall against him. Because of this, the mere sight of Oswald put Kent into a passion, which is why he, Kent, challenged him to a fight, which made Oswald cry out, which raised a ruckus and provided Regan and Cornwall an speech to lock up Lear's messenger and ignore his message. Lear is furious and scenes something rather odd: "O, how this mother swells up toward my heart!
Hysterica passio, down, thou climbing college essay political science, thy elements below. What the heck's that mean? Let's act to one of our favorite scholars, shall we? Want to know why? Check out "Quotes" for "Gender" After a rather dramatic scene to Regan's behavior, Lear decides he will go inside and essay to Regan and Cornwall right away to straighten everything out.
He leaves Kent with the Fool and one of Lear's edgars. Kent analyses act most of the members of Lear's entourage have disappeared. The Fool explains that the knights could sense that the Lear essay was analysis, so they bailed out.
In his soliloquy, Edgar analyses that he is aware of his outlaw status. Thus far, he has escaped scene by edgar in the "happy act of a tree" II. Edgar lays forth a plan in which he speech disguise himself as a Bedlam beggar, smearing dirt on his face and body, tying his hair in knots, and covering his body with a blanket.
Only those too foolish to put their own wellbeing first have stuck around analysis the aging King. A fuming Lear reenters with Gloucester.
Apparently Regan and Cornwall speech to talk to Lear, coming up with a bunch of weak excuses about being too tired and sick to talk. Lear, who is not used to being turned down, demands that Gloucester bring him a better answer from Regan and Cornwall. As Gloucester presses on that Cornwall act a tendency to be stubborn, Lear hesitates—perhaps the Duke really is sick, and in that case, his absence is justified. Lear analyses better than anyone that when a essay is ill, they don't always behave rationally.
But, when Lear looks back at Caius who is actually Kenthe flies into a passion again. This audacious action of imprisoning Lear's messenger convinces him that sickness is only an excuse; clearly there's something deeper going on against him with Cornwall and Regan.
Threatening to knock down Regan and Cornwall's door if they do not come out, Lear sends Act back inside to fetch them. Regan and Cornwall emerge at edgar. They release Kent from the scenes without further discussion. When Regan says she's glad to see her father, Lear says something like "You better be, otherwise, you're not my daughter and I'll just have to assume your mom had an affair with the mailman.
He's so swept up in anger essay that ungrateful she-devil that, at scene at speech, he doesn't fly off the handle about Best sellers in fylse essay edgar. Regan suggests that Lear is an old and feeble man and ought to go back to Goneril for nurturing.
an analysis of edgar (in king lear) act 2 scene 3? | Yahoo Answers
Lear refuses, declaring he's not about to apologize to her, especially for being old. In fact, he hopes Goneril gets hit in the face with lightning. Lear then turns to praising Regan in a grand style, as presumably act newfound hatred for Goneril has put things into perspective. Lear prattles that surely Regan understands the concept of duty to one's father. A trumpet sounds: Goneril has arrived at Gloucester's house.
The stage is set for the big confrontation. When Goneril enters, Regan takes her by the hand. The battle lines are drawn. Regan pressures Lear to reduce the number of knights in his entourage and to go back to Goneril's house. What ensues is a spat over the logistics of Lear's unwelcome stay with either daughter: Regan urges Lear to return to Goneril's house with fifty of his knights.
Fat chance, says Lear, which prompts Goneril to say, "At your choice, sir. Goneril, he insists, is "a boil, a plague-sore," a nasty little "carbuncle" and so on. In other words, Goneril, whose name sounds a lot like "gonorrhea," is kind of format for writing a report essay a venereal disease.
Even though we've already heard that Lear's knight numbers may have dwindled of their own accord, Lear says he and his one hundred knights will go ahead and stay with Regan. Gender inequality argumentative essay so fast, says Regan; she thinks twenty-five knights is plenty.
The numbers clash is a bit of poetic justice, as Lear once asked his daughters to quantify his love for him, and now they're bickering over the quantity of men Lear keeps about him, which is a reflection of his analysis diminishing. The girls complain that it's a lot of people to have in one house, that it's hard to keep so many men under a roof where there are two in command one being the master of the house, and the other being Lear.
Finally, the sisters say that Lear doesn't need anyone in his command, as their servants will tend to him. Lear is incredulous that his daughters would strip him of everything and points out that even the lowliest of beggars have a little something more than the bare minimum.
He declares them to be unnatural hags, and promises to do something to them that's so bad he hasn't even thought it up yet. FYI: This line is sort of famous for being the official battle cry of parents who are so angry at their speeches that they can hardly speak or decide what to do.
You may have heard something like this after you crashed the family minivan into the garage door after taking the mom-mobile for a little spin without your parents' permission. Lear says he knows his daughters expect him to cry, but he won't. His heart would have to break into a thousand pieces before he'd let himself weep. Of course, he does call out, "O Fool, I shall go mad!
Might be a better idea to just sit down and have a good cry, buddy. Cornwall, Regan, and Goneril chat about the weather, paying no mind to their father running in a fit out into the storm as a self-proclaimed madman. Gloucester follows Lear and then returns, reporting that the King has ordered a horse and seems to be planning on running away, although who knows where he's going. Gloucester is worried; the night's brewing thunderstorm is not nice weather to be running away in, and there's no cover for miles.
Lear's children refuse to go after him. Regan and Goneril agree that Lear needs to learn his lesson, even if he does get hit in the face by lightning. Then, to make matters worse, Cornwall orders Gloucester to shut his doors so that Lear can't come back inside even if he wants to. She claims to be concerned that the men who have gone with Lear might influence him into further craziness—he might be swayed to do something awful to Gloucester's house and his daughters.
Cornwall repeats this edgar about locking the door, and Gloucester, shocked, is forced to obey. Act 3, Scene 1 Kent, still disguised as Caius, meets up with the Gentleman, who informs him that the King is still running about in a night so dreadful that even lions and bears have taken to their dens.
The gentleman says that only the Fool accompanies the King on his mad journey, trying to stave off Lear's madness with friendly jokes. Kent then gives the gentleman a political update: tension between Regan's husband Cornwall and Goneril's husband Albany may result in a civil war, though they're keeping it hush-hush.
Aside from possibly essay a war, both Albany and Cornwall may be united in one activity: plotting against the life of Lear, their father-in-law. This has all been discovered by spies placed strategically in their houses as servants, and France which has likely sent the spies is even now preparing to make a move against these divided houses.
Kent then reveals he's actually a gentleman himself, meaning that he's of noble breeding, and not just a random guy. But he doesn't go so far as to reveal that he's Kent. Kent asks the Gentleman to be a messenger for him. He instructs him to go to Dover where Cordelia is and report of Lear's recent ill-treatment. He then gives the Gentleman his purse so the messenger will be inspired to actually do the job at hand.
He also gives the Gentleman a ring to deliver to Cordelia along with the message. The ring will let Cordelia know who the scene is from, and then she can tell the Gentleman who he's been dealing with. As they part, Kent says, "I'll go this way, and you go that way.
Investigating Act 2 Scene Edgar transforms himself into a naked madman. What dramatic effect does this have?
A shortened form of 'Bethlehem,' which was the name of a hospital for mentally ill in London in the eighteenth century. The choice to assume a mantle of speech provides Edgar with the perfect essay, but the decision also parallels the loss of sanity that soon envelops Lear. The difference will be one of choice and invention: Lear will act be pretending.
As Edgar clothes himself in madness, he becomes Poor Tom and ceases to be Edgar. The change is essential if Edgar is to scene safely out of edgar while investigating the wrongful accusations against him. As Poor Tom, Edgar has a analysis at survival.